>Charles Jencks, an architect and A critic, while searching for the
>sources of neo-modernistic stylistics, (--) noticed an increasing need
>for an open interpretation, associated with (IS THE NEED OR THE INTERPRETATION ASSOCIATED WITH STH?) a demand for an allusive,
>spiritual, metaphysical symbolism in times of almost a complete
>desecration of life. We are as if (VERY NEARLY) eye-witnesses of an extraordinary
>moment,(NO COMMA) where biology and technology are becoming symbiotic domains of
>knowledge, and nature is a model from which designers derive not only
>thoughts to shape an object (OBJECTS PERHAPS BETTER?), but also methods of creating them. The
>processes that appear in nature and take part in making its formations
>to which more frequently(MORE AND MORE OFTEN) modern designers are referring to can be
>divided into four groups. The first group constitutes natural
>processes of creation of inanimate nature. This group includes all
>natural structures and materials. The objects of inanimate nature are
>composed of the elements developed through the processing of the
>material as a result of some of the processes appearing in nature,
>e.g. erosion or crystallisation. Most frequently, judging by
>appearances of an object{,} it is possible to determine the process in
>which it was created. The processes are usually working on a similar
>basis regardless {OF} the material that is being processed.
>Wielkie dzięki dla specjalistów :)
I'm no specialist, but you are welcome ;P